Notre-Dame de Paris Print | Olivier Merson Wall Art
Free US shipping
Free reprint if damaged
Secure checkout
An Olivier Merson Paris illustration print: the view from the towers of Notre-Dame, a line of stone gargoyles along the parapet, crows turning in the air and the roofs of the city spread far below. Exhibition poster format, with Olivier Merson and Notre-Dame de Paris (1881) in serif type below.
About the artwork
Merson drew this for a book, and it is composed like an illustration should be: the gargoyles run down the right edge as a dark frame, the city falls away in pale silver-grey, and a single crouched figure sits on the gutter at the left where the eye lands after travelling the diagonal. Almost the whole sheet is drawn in tones of one colour, so the depth comes from how much detail is given — sharp at the parapet, dissolving at the river.
Why you'll love it
- Paris without the postcard. A view from the roof, not of the façade.
- Warm grey tones. Sits quietly on a wall with books or dark wood.
- Detail rewards a close look. Crows, gargoyles and rooftops keep revealing themselves.
- Made to order. Printed after you buy, colour-managed, never warehoused.
Sizes and materials
- Paper — archival matte, rolled and unframed. Thirteen sizes in all: 8\" x 12\" through 30\" x 40\", plus A4–A1.
- Matte canvas — stretched on a wooden bar, no glare, ready to hang. 12\" x 16\" to 30\" x 40\".
- Framed canvas — solid wood floating frame in white, black, espresso or natural. 12\" x 16\" to 30\" x 40\".
- Pigment-based archival inks, rated to resist fading for decades indoors.
Styling it at home
Espresso or black frames suit the Gothic subject. Hang it at 18\" x 24\" in a study or stairwell where someone can stand close to it.
Shipping and care
Unframed prints ship rolled in a protective tube. Framed canvas arrives ready to hang. Keep prints out of direct sunlight to protect the colour, and dust canvas with a dry, soft cloth.
Questions people ask
Is the cathedral itself visible? You see its towers and parapet from above, with the city beyond, rather than the front of the building.
Is this an original drawing? No. It is a modern reproduction printed to order, not an original sheet and not a licensed museum edition.
Print & materials
Every design is made to order on one of three materials:
- Fine art paper — thick archival gallery-grade paper with a smooth matte finish, printed with fade-resistant pigment inks. The choice if you already own a frame.
- Matte canvas — gallery-wrapped over a solid wood stretcher, ready to hang straight out of the box. No glass, no glare.
- Framed canvas in white, black, espresso or natural wood — a slim solid-wood floating frame with the hanging hardware already fitted. Natural and espresso suit warm, timber-heavy rooms; white and black sit better in minimalist and monochrome spaces.
Sizes run from 8 x 12 inches up to large statement pieces, plus A4, A3, A2 and A1 for standard European frames. The exact sizes available for this design are listed in the Size menu above.
Production & shipping
Nothing is printed until you order, so each piece is made for you.
- Printed and finished in 3–5 business days.
- Delivery a further 4–8 business days — about 7–13 days in total.
- Free shipping across the United States. Everywhere else is a flat $5 per order.
Paper prints ship rolled in a rigid tube. Canvas and framed canvas are boxed with corner guards.
Damage, defects & care
Every piece is printed for you after you order, so we cannot take a print back for a change of mind — please check the size and material first. Our Size Guide shows every size drawn to scale.
If it arrives damaged, misprinted or simply wrong, email us within 14 days with photos of the piece and the packaging. We reprint and reship it free, and there is nothing to send back.
Keep artwork out of direct sunlight. Wipe framed canvas with a dry, soft cloth. Handle paper prints by the edges until they are framed.
Notre-Dame de Paris Print | Olivier Merson Wall Art
Materials
Three ways to print it.
Same artwork, same colour-managed printing — the material decides how it hangs and how much wall it holds.
Fine art paper
Thick archival gallery-grade paper with a smooth matte finish, printed with fade-resistant pigment inks.
- The most affordable option, and the one to pick if you already own a frame.
- Reads slightly softer than canvas.
- Ships rolled in a rigid tube.
Matte canvas
Gallery-wrapped over a solid wood stretcher, ready to hang straight out of the box.
- No glass, so no glare — good for bright rooms.
- Holds a touch more contrast than paper.
- Boxed with corner guards.
Framed canvas
A slim solid-wood floating frame with the hanging hardware already fitted, in white, black, espresso or natural wood.
- Natural and espresso suit warm, timber-heavy rooms.
- White and black sit better in minimalist and monochrome spaces.
- The usual choice for a feature wall — nothing to assemble.
You may also like

