After the Bullfight 1873 Print | Mary Cassatt Wall Art
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A Mary Cassatt portrait print: a matador leans on a pale wooden barrier in a teal and silver-embroidered jacket, his hands raised to his face and his head turned in profile against a soft olive ground. A red cape is thrown over the rail beside him and a dark braided montera sits on his hair. Exhibition poster format, with Mary Cassatt and After the Bullfight, 1873 in serif type below.
About the artwork
This belongs to the same Seville winter as Cassatt's other Spanish canvases, and it is the more inward of the two: no exchange, no audience, just a man off duty with his shoulders dropped. She gave the costume everything — the silver bullion, the leaf-green embroidery, the red silk — and then painted the face plainly, in ordinary daylight. The contrast between the spectacle of the clothes and the tiredness of the man is the whole point.
Why you'll love it
- Teal, silver and scarlet. An unusual palette that reads well from a distance.
- A quiet moment. The off-stage version of a very public job.
- Painted by an American in Spain. Cassatt before Paris and before Degas.
- Made to order. Printed after you buy, colour-managed, never warehoused.
Sizes and materials
- Paper — archival matte, rolled and unframed. Thirteen sizes in all: 8" x 12" through 30" x 40", plus A4–A1.
- Matte canvas — stretched on a wooden bar, no glare, ready to hang. 12" x 16" to 30" x 40".
- Framed canvas — solid wood floating frame in white, black, espresso or natural. 12" x 16" to 30" x 40".
- Pigment-based archival inks, rated to resist fading for decades indoors.
Styling it at home
Natural or espresso frames sit well with the olive ground. It suits a study or a hallway at 18" x 24", and hangs naturally beside the other Seville canvas.
Shipping and care
Unframed prints ship rolled in a protective tube. Framed canvas arrives ready to hang. Keep prints out of direct sunlight to protect the colour, and dust canvas with a dry, soft cloth.
Questions people ask
What is he wearing? A traje de luces — the embroidered “suit of lights” worn in the ring — with a montera cap and a scarlet cape over the rail.
Is this an original print? No. It is a modern reproduction printed to order, not an original painting and not a licensed museum edition.
Print & materials
Every design is made to order on one of three materials:
- Fine art paper — thick archival gallery-grade paper with a smooth matte finish, printed with fade-resistant pigment inks. The choice if you already own a frame.
- Matte canvas — gallery-wrapped over a solid wood stretcher, ready to hang straight out of the box. No glass, no glare.
- Framed canvas in white, black, espresso or natural wood — a slim solid-wood floating frame with the hanging hardware already fitted. Natural and espresso suit warm, timber-heavy rooms; white and black sit better in minimalist and monochrome spaces.
Sizes run from 8 x 12 inches up to large statement pieces, plus A4, A3, A2 and A1 for standard European frames. The exact sizes available for this design are listed in the Size menu above.
Production & shipping
Nothing is printed until you order, so each piece is made for you.
- Printed and finished in 3–5 business days.
- Delivery a further 4–8 business days — about 7–13 days in total.
- Free shipping across the United States. Everywhere else is a flat $5 per order.
Paper prints ship rolled in a rigid tube. Canvas and framed canvas are boxed with corner guards.
Damage, defects & care
Every piece is printed for you after you order, so we cannot take a print back for a change of mind — please check the size and material first. Our Size Guide shows every size drawn to scale.
If it arrives damaged, misprinted or simply wrong, email us within 14 days with photos of the piece and the packaging. We reprint and reship it free, and there is nothing to send back.
Keep artwork out of direct sunlight. Wipe framed canvas with a dry, soft cloth. Handle paper prints by the edges until they are framed.
After the Bullfight 1873 Print | Mary Cassatt Wall Art
Materials
Three ways to print it.
Same artwork, same colour-managed printing — the material decides how it hangs and how much wall it holds.
Fine art paper
Thick archival gallery-grade paper with a smooth matte finish, printed with fade-resistant pigment inks.
- The most affordable option, and the one to pick if you already own a frame.
- Reads slightly softer than canvas.
- Ships rolled in a rigid tube.
Matte canvas
Gallery-wrapped over a solid wood stretcher, ready to hang straight out of the box.
- No glass, so no glare — good for bright rooms.
- Holds a touch more contrast than paper.
- Boxed with corner guards.
Framed canvas
A slim solid-wood floating frame with the hanging hardware already fitted, in white, black, espresso or natural wood.
- Natural and espresso suit warm, timber-heavy rooms.
- White and black sit better in minimalist and monochrome spaces.
- The usual choice for a feature wall — nothing to assemble.
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