Woman Holding Umbrella Print | Edward Penfield Wall Art
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An Edward Penfield vintage poster print: a woman in a long scarlet coat stands in the rain with a magazine tucked under her arm and a folded black umbrella in her hand, looking up at the weather. Exhibition poster format, with Edward Penfield and Woman Holding Umbrella in serif type below.
About the artwork
Rain here is nothing but a scatter of thin diagonal pen strokes across an otherwise empty ground — no grey sky, no puddles, no wet shine. That restraint is what lets the coat do all the work: one uninterrupted field of orange-red running from collar to hem, with the buttons drawn as tiny open loops rather than solid dots. The umbrella and the hat are the only blacks on the sheet, and they sit at opposite corners of the figure to keep it upright.
Why you'll love it
- One strong colour. The red carries a neutral room without any other accent.
- Quietly cheerful. A rainy-day subject painted without gloom.
- Tall and narrow. Suits the wall beside a door or between two windows.
- Made to order. Printed after you buy, colour-managed, never warehoused.
Sizes and materials
- Paper — archival matte, rolled and unframed. Thirteen sizes in all: 8\" x 12\" through 30\" x 40\", plus A4–A1.
- Matte canvas — stretched on a wooden bar, no glare, ready to hang. 12\" x 16\" to 30\" x 40\".
- Framed canvas — solid wood floating frame in white, black, espresso or natural. 12\" x 16\" to 30\" x 40\".
- Pigment-based archival inks, rated to resist fading for decades indoors.
Styling it at home
White or natural frames keep the beige ground light; black ties it to the umbrella. It works in an entry, a bedroom or a narrow stretch of wall at 12\" x 18\" to 18\" x 24\".
Shipping and care
Unframed prints ship rolled in a protective tube. Framed canvas arrives ready to hang. Keep prints out of direct sunlight to protect the colour, and dust canvas with a dry, soft cloth.
Questions people ask
Is this an original antique poster? No. It is a modern reproduction printed to order, not an original sheet and not a licensed museum edition.
How is the rain shown? As fine diagonal lines across the background, not as shading or cloud.
Print & materials
Every design is made to order on one of three materials:
- Fine art paper — thick archival gallery-grade paper with a smooth matte finish, printed with fade-resistant pigment inks. The choice if you already own a frame.
- Matte canvas — gallery-wrapped over a solid wood stretcher, ready to hang straight out of the box. No glass, no glare.
- Framed canvas in white, black, espresso or natural wood — a slim solid-wood floating frame with the hanging hardware already fitted. Natural and espresso suit warm, timber-heavy rooms; white and black sit better in minimalist and monochrome spaces.
Sizes run from 8 x 12 inches up to large statement pieces, plus A4, A3, A2 and A1 for standard European frames. The exact sizes available for this design are listed in the Size menu above.
Production & shipping
Nothing is printed until you order, so each piece is made for you.
- Printed and finished in 3–5 business days.
- Delivery a further 4–8 business days — about 7–13 days in total.
- Free shipping across the United States. Everywhere else is a flat $5 per order.
Paper prints ship rolled in a rigid tube. Canvas and framed canvas are boxed with corner guards.
Damage, defects & care
Every piece is printed for you after you order, so we cannot take a print back for a change of mind — please check the size and material first. Our Size Guide shows every size drawn to scale.
If it arrives damaged, misprinted or simply wrong, email us within 14 days with photos of the piece and the packaging. We reprint and reship it free, and there is nothing to send back.
Keep artwork out of direct sunlight. Wipe framed canvas with a dry, soft cloth. Handle paper prints by the edges until they are framed.
Woman Holding Umbrella Print | Edward Penfield Wall Art
Materials
Three ways to print it.
Same artwork, same colour-managed printing — the material decides how it hangs and how much wall it holds.
Fine art paper
Thick archival gallery-grade paper with a smooth matte finish, printed with fade-resistant pigment inks.
- The most affordable option, and the one to pick if you already own a frame.
- Reads slightly softer than canvas.
- Ships rolled in a rigid tube.
Matte canvas
Gallery-wrapped over a solid wood stretcher, ready to hang straight out of the box.
- No glass, so no glare — good for bright rooms.
- Holds a touch more contrast than paper.
- Boxed with corner guards.
Framed canvas
A slim solid-wood floating frame with the hanging hardware already fitted, in white, black, espresso or natural wood.
- Natural and espresso suit warm, timber-heavy rooms.
- White and black sit better in minimalist and monochrome spaces.
- The usual choice for a feature wall — nothing to assemble.
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